Is YouTube’s hugely disliked Rewind 2018 round-up the most expensive tourism ad ever?

Is YouTube’s hugely disliked Rewind 2018 round-up the most expensive tourism ad ever?

In six days, a video has raced up YouTube’s trending charts thanks to, at the time of writing, some 113 million views. It is not the latest Bieber or BTS video but Rewind 2018, the video platform’s annual round-up of “the videos, people, music and moments that defined 2018”.

This year’s review of the year is known as Everyone Controls Rewind in reference to the inclusion of suggestions from YouTube commenters.

Rewind first appeared in 2010 and was a very different beast to today – it was just a showcase of the top ten most viewed videos of the year which, for the sake of those with short memories, included Double Rainbow Guy and the Bed Intruder Song.

In 2012, YouTube changed everything up and made Rewind an original mash-up that incorporated the year’s top YouTubers as well as the top video memes. Keeping everybody watching their screens that year were Psy and Gangnam Style and Walk Off the Earth – five people playing a cover of Gotye’s Somebody That I Used to Know.

Since then, the number of YouTubers, clever cultural references and the scope of the Rewind video has increased and the 2018 edition is a big budget affair.

Despite that, Rewind 2018 was not to everyone’s taste. In fact, in that short time, it became the second most disliked video on YouTube (8.9 million thumbs down) behind Justin Bieber’s video of Baby (with 9.8 million).

The feeling in the YouTube community was that several key YouTubers had been ignored (notably PewDiePie, while some non-YT celebrities, including Will Smith, were a major focus. Others have been annoyed to have been served the whole of the Rewind video as an unskippable ad while watching other clips on the platform.

As well as Rewind appearing just like any other ad, you can argue that the content is one giant ad. The hugely popular and billion dollar earning multiplayer game Fortnite features throughout the clip, for example.

You could also argue that it is one of the world’s most expensive tourism marketing clips. With its global cast of characters, the clip has been shot in multiple locations around the world, including Urca beach in Rio de Janeiro, London’s trendy Spitalfields and Seoul. Last year’s Rewind – the Shape of 2017 – featured 20 locations around the world.

You can watch the official behind the scenes video of the making of the 2018 Rewind here and on location with one of the photographers, Yourfriendandre.

All of these filming locations look amazing and the copycats who drive tourism through following their idols to the most Instagrammable spots in the world are sure to follow in large numbers.  Destination marketing organisations could barely dream of the budgets that YouTube can command for shooting and promoting such a lavish advert. Perhaps the best approach for them is to support local YouTubers with the hope of getting them into next year’s annual review.

Tagged , , , , .

Mark Frary is co-founder of Travel Perspective, a social and digital consultancy working with travel companies and tourism organisations to create successful marketing campaigns He is an author and writer specialising in travel, social media and technology. He writes regularly for The Times and has written for many other publications including the Evening Standard, the Independent on Sunday, the Daily Express, Food & Travel, ABTA magazine, the easyJet magazine and Teletext.  Mark also gives expert advice to leisure and business travel companies on their social media and communications strategies and is the co-founder of Social Travel Market, an annual conference on the use of social media in travel at World Travel Market. He is the author of seven books including The Origins of the Universe for Dummies and is currently working on a biography of the ski pioneer Erna Low. Mark lives in Ampthill in Bedfordshire, UK with his wife and three children. www.travelperspective.co.uk

Leave a Comment

Your e-mail address will not be published. Required fields are marked *